Tuesday, 29 September 2020

On My Radar: October

October seems to bring with it even more fabulous books than September did. I hope you're ready!

We might actually see the third book in the Hollow Gods series at long last! I need to go recap the previous books, but I am excited to get back to the story. I've pre-ordered the latest offerings from V.E. Schwab, Leigh Bardugo, Stu Turton and Aliya Whiteley, and am tempted by a whole lot more of these.



1st

The Devil and the Dark Water by Stuart Turton
A Secret of Birds & Bone by Kiran Millwood Hargrave
A Snowfall of Silver by Laura Wood
People of Abandoned Character by Clare Whitfield
Word Perfect: Etymological Entertainment For Every Day of the Year by Susie Dent
The Haunting of Alma Fielding by Kate Summerscale
Pandora's Jar: Women in the Greek Myths by Natalie Haynes
We Are Not Free by Traci Chee


6th

The Invisible Life of Addie LaRue by V.E. Schwab
Ruby by Nina Allan


8th

The Lives of Saints by Leigh Bardugo
Earthlings by Sayaka Murata
Hag: Forgotten Folktales Retold by various authors
The Sun's Devices by Rebecca Levene

12th

Greensmith by Aliya Whiteley

13th

Black Sun by Rebecca Roanhorse (US only)
The Magic Fish by Trung Le Nguyen
A Stitch in Time by Kelley Armstrong (e)


15th

Shine by Jessica Jung
The Once and Future Witches by Alix E. Harrow
The Nesting by C.J. Cooke
Kay’s Anatomy by Adam Kay + Henry Paker
Phoenix Extravagant by Yoon Ha Lee


20th

The Fourth Island by Sarah Tolmie


29th

The Magpie Society by Amy McCulloch + Zoe Sugg
The Silence by Don DeLillo
Hench by Natalie Zina Walschots

Saturday, 26 September 2020

Eight Detectives

Grant McAllister is an author living in seclusion when Julia Hart approaches him, wanting to republish his book. Thirty years ago he wrote a series of stories exploring the rules of the murder mystery genre, but he doesn't seem to remember much about it. As Julia reads it back to him, something doesn't add up. What is he hiding?

And the two men had agreed: once tasted, detection was like a drug.

Eight Detectives has been described as clever and unique, but its framing story fell flat for me. I actually enjoyed many of the seven short stories, they were eerie and had echoes of classic mysteries about them. The characters were not fleshed out but the story carried them though. These seven stories were meant to illustrate the mathematics of the murder mystery, the rules that apply to all crime fiction. I think this would have worked just as well with an introduction followed by the stories, but I guess short story collections don't sell as well as novels.

The description implies that there are clues to a cold case within the stories, which is true if you know the details of the cold case, but these aren't given until nearly the end. There was no way for me as a reader to connect the dots and make an attempt at solving that myself. That is apparently not one of the rules of murder mystery writing! It was pointed out by Julia that there were inconsistencies in the text, some that I noticed but it was a bit like they wanted us to play editor rather than solve anything.

Nobody was interested in murder mysteries after the war. They became outdated very quickly, next to all that real death.

Towards the end things start changing all over the place and I'm not sure I liked how it was done. It's an unusual take on the unreliable narrator, I can say that at the very least. I didn't feel any satisfaction or surprise, I just thought it was a bit silly. I suppose it was set in the past so that it was easier to accept ignorance of things.

I think the eighth detective is meant to be Julia? Or the reader? I didn't feel like a detective. It did make me think a bit about the ingredients that make up a mystery though, so I'll give it that.

Goodreads | Amazon | Waterstones | Hive | Wordery | Blackwell’s

Tuesday, 22 September 2020

Prequels and Whatnot: Midnight Sun and The Ballad of Songbirds and Snakes

So yeah, I read both the Twilight rehash and the prequel to The Hunger Games, with varying success. I was never a massive Twilight fan but when I first read the books they were fun diversions, read at an age where Edward's posessiveness didn't grate on me, and I didn't like the film adaptations at all. But I thought Midnight Sun would be fun, I remember reading some of it a few years back when it was leaked and Stephanie declared the project over.


Well it wasn't over, she had over 700 pages left to tell us. I do not remember Twilight being so long, it's meant to be the same story told from Edward's point of view. There were theories that maybe it covered more than one book, but no, it ends as Twilight ends. I would have enjoyed it so much more as a novella. It was funny at first, Edward is thinking like a hundred year old vampire forced to go to school, he plans how best to kill Bella and cover it up. This was great! But then he turns into a mushy, possessive, boy and I still have no idea why he liked Bella so much other than she smelled good.

There were some other aspects I enjoyed though, the snippets of backstory of the Cullens and the whole ending, and cover up, with Alice's visions guiding their way, was brilliant. It just needed most the middle chopping out.

Another chunkster returning us to a beloved YA franchise was The Ballad of Songbirds and Snakes. We knew a Hunger Games prequel was coming, but there was widespread dismay when Suzanne revealed it was to focus on a young Corilonius? Snow. I was intrigued...

Snow is not a likable character, you are not meant to like him. He craves control, his background shedding some light on that, they nearly lost everything thanks to the war. There are moments you can pity him, but he is not a simple character and his arc is not one of redemption, even if it comes close at times. We know what he becomes, it was nice to think he was becoming a better person but as you read you are just waiting for the defining moment to happen.

It provided a better understanding of how the games came to be in their current format. Initially more gladiatorial in nature, it's part of Snow's education to come up with ideas to keep people engaged, and to keep the people in line. Lucy Baird is the tribute assigned to Snow, coming from a travelling group of performers, and her personality and singing helps get to the point where you can see the idea of the new games forming, with entertainment, a way to gamble and sending favours to your favourites.

In the edition I bought, there's a Q&A with Suzanne where she talks about the different philosophies contained in the book, how different characters represent different ways of seeing human nature. Do you believe everyone has common decency or is everyone just out to save themselves? Will people behave out of a belief in the way society is run or do you need to scare them into submission by holding the Hunger Games?

Anyway, I thought it was a lot deeper than I was expecting. It wasn't just a rehash of the first two books, it was much more about the kind of people who allowed that way of governance to take hold and how difficult it can be to effect change when the odds are never in your favour.

Wednesday, 9 September 2020

The Court of Miracles

The Court of Miracles is a criminal underground, a place where those who don't belong in polite Parisian society can be accepted and find protection. Thieves, prostitutes, assassins, smugglers, mercenaries, gamblers, beggars, drug addicts and forgerers, they all have their guild and a lord or lady to rule over them. But something is rotten in the Guild of Flesh, where women are bought and drugged, forced into the profession by The Tiger. Once he sets his sights on you, there is no escape.

OK, hands up who bought this book because it was pretty and promised sexy naked-bookness? I admit that was part of my reasoning but alternate history fantasy set in Paris is kind of my catnip, so I couldn't resist The Court of Miracles. I'm glad I didn't, despite a bit of a luke-warm reaction across the blogoshpere. Once I got into the worldbuilding I was absorbed.

First off, I know nothing about Les Miserables, which might help in me not trying to make comparisons or connections. I think a lot of the characters have Les Mis names? It is also combines elements of The Jungle Book which I am more familiar with and I felt was done well. Nina is known as the Black Cat, so is Bagheera, and Ettie is Mowgli, the child wanted by The Tiger. The structure of it had a feel of The Jungle Book too, taking the child from place to place.

Nina loses her sister to The Tiger and initially sees Ettie as a bargaining chip to get her back. Fortunately, she sees the error of her ways before she does anything she can regret, but Ettie is already in danger. The only way she can be safe is to join a Guild, but who will take her knowing she is The Tiger's prey? Once I understood what was going on, I loved the journey around this alternate Paris, going from guild to guild, learning what they were really about.

I think the dauphin is an emotional, lonely boy who would care for a hat if it showed him the least bit of attention.

There is only a touch of magic, and it doesn't really have a romance. Nina's path crosses with the young dauphin but it is not that kind of rags to riches story. This is set after the revolution failed, the uprising was quashed before anyone could storm the Bastille. But the mumurings of revolution have never really subsided, and the rebels are yet another layer of this world.

I went into it expecting it to be a standalone, and I felt satisfied with it as it is, but I hear there will at least be another book and I will definitely be reading it. This was a solid debut and Kester Grant is one to watch.

POPSUGAR Reading Challenge: 9. A book with a map

Goodreads | Amazon | Waterstones | Hive | Wordery | Blackwell’s



Monday, 7 September 2020

The two series that broke my lockdown slump

As you might have noticed, 2020 has not been a great reading year for me. I was dusting off my challenge lists to see if I could get started again and was faced with reading a mystery. I mean I like mysteries in crossover genre, but my days of consuming large amounts of crime fiction are over. Or are they? I had binge read Kelley Armstrong's Rockton series during lockdown and whilst its characters were pretty much Elena and Clay without the werewolves, it was kinda crime fiction.

City of the Lost

Someone kindly gave me City of the Lost in a Ninja Book Swap, many years ago (I haven't checked, but I'm sure of it). I had lost a little faith in Kelley after the Cainsville series dragged on, but I had this book and I should really read what I already have, so I did. I loved the setting, Rockton being a sort of sanctuary in the middle of the Yukon, where criminals and victims alike go to hide for a few years.

When I found myself not reading much during lockdown, I reached for the next Rockton book, and the next and the next, until I was all caught up with the five books currently in existence.

As the series progresses, the background of Rockton and its residents is revealed bit by bit, but each story containing a mystery, a lot of trekking through wilderness and battling the elements. Alone in the Wild was probably my least favourite, partly down to the fact Casey was fine about not being able to have kids and then they throw in a mysterious baby, and suddenly she's all broody. Yes women can change their mind but it felt a bit out of character, and makes me think there'll be some suprise-you-can-get-pregnant introduction of motherhood at a later point.

Anyway, back to that challenge dilemma. I delved into my Kindle and found that I had bought The Kept Woman at some point, the next book in the Will Trent series. I had seen some marketing fanfare about Karin Slaughter's 20th book this year, so this could be a chance to take out several challenge prompts with one series! Cue metaphorical rolling up of my sleeves. Note, all Karin's books should come with a trigger warning for rape.


I was kind of expecting it to be a bit of a struggle to get back into, but I instantly remembered Will, Sara, Faith and Amanda, even the love-to-hate character of Angie. The Kept Woman is very much character driven, delving into Angie and Will's complicated relationship. They feel like old acquiantances I'm catching up with. It was very much not a chore, and I went and bought the next book in the series straight away.

I didn't enjoy The Last Widow quite as much, which is a shame as the biological weapon and cult angles are things I would go for when choosing a book. Its pacing was off. I think she was trying new things with repeating conversations from different perspectives, which meant it was slow and repetitive at the start and then the big finale seemed rushed and over too quickly. The Will/Sara neediness dynamic seemed a bit overdone...yet I was still left wanting to know where they go from there.

And then I read The Silent Wife, Karin's latest book. I was thinking I'd maybe overdone it with back-to-back reading until the plot pivoted towards a Jeffrey Tolliver connection, and I was hooked once more. This one felt much more a return to her Grant County books, not just with the characters, but the disturbingness of the crimes.

I've missed reading series like this. The problem with picking up new books all the time is the wait between instalments. I don't want to put off buying books until a series is complete though, as we know that ends up in the series never being complete, but it'd be nice to discover some more complete series that are new to me.

Now here's hoping my blogging slump is over too!

Wednesday, 2 September 2020

On My Radar: More September Releases

Well the week of 600 releases is upon us (though it has been pointed out that many of these are academic books so maybe we shouldn't panic). Here are the September releases that I have yet to cover here or here, including science fiction and historical fiction, but a few others I missed earlier too.

1st

Night of the Mannequins by Stephen Graham Jones
Architects of Memory by Karen Osborn
The Bridge by Bill Konigsberg

Afterland by Lauren Beukes

3rd

Afterland by Lauren Beukes
A Girl Made of Air by Nydia Hetherington
After the Silence by Louise O'Neill
Sad Janet by Lucy Britsch

8th

The Phlebotomist by Chris Panatier

14th

The Girl from the Hermitage by Molly Gartland

15th

An Unnatural Life by Erin K. Wagner

24th

The Art of Saving the World by Corinne Duyvis (US only)

29th

Crownchasers by Rebecca Coffindaffer (US only)